Karma is less of a survivor than an apparition—an afterimage that persists in a landscape that has been abandoned by humanity. She traverses the remnants of a civilization that has perished, where the Earth has reverted to a primordial battlefield where the great archetypes continue to clash. Or, it is possible that she is a forgotten divinity, reclaiming a domain of collapsed mines, rust-freckled sacrificial altars, and wind-tossed drifts of fabric that have been shed by billions of vanished bodies. She transforms into a living panopticon that fractures the surrounding ruin into a thousand recursive reflections, enveloped in a mantle of mirrored fragments. "Time moves sideways here, where love rebuilds itself from broken geometries and impossible mathematics." Karma is pursued by Mr. Pink, her feral, sentimental nemesis, whose animal magnetism stalks her across the shattered thresholds of the world, as her voyage spirals between seduction and repulsion. Their pursuit is not merely spatial; it is ontological, as it revolves around the concealed fulcrum where their shared ancestral nature ignites in a planet in flames. In the midst of that revelation, both figures relinquish their provisional identities and confront the archaic forces that had shaped them long before their names were forgotten by history. LOVE is on the brink of becoming the first video performance that is wholly created through the alchemy of artificial intelligence. The metaphysics of spontaneous gesture, the visceral weight of living sculpture, the incantatory force of poetry, and the symbolic grammar of contemporary live action are all amplified and transformed by digital superpowers. A voracious hybrid entity, metamorphic and insatiable, arises, eager to consume new perceptions and recompose them into uncharted mythologies.