🎉 ANNOUNCEMENT: {FREQUENCIES} x MINIMAX x HailuoAI x NAKID x Future Eyes x ESCAPE.ai x Machine Cinema 🎉 Myself, NAKID and Future Eyes are excited to announce MiniMax (Hailuo) as the official sponsors of { FREQUENCIES } — an immersive motion art, projection, and music showcase happening October 18th, 2025 in Downtown Los Angeles at Sky Portal X Gallery, featuring world-class digital and AI artists from around the globe. This one-night event bridges physical and virtual experiences — streaming live inside the ESCAPE AI MEDIA Creator Club Theater, who is another of our major sponsors, who will be helping us showcase the artists work in real-time during the event streamed so that those around the world can participate and learn about the artists and mingle This further showcases and highlights the evolving relationship between human creativity and machine collaboration. 🔹 Live Performances: • BOSA (Dirtybird, Headliner) w/Marieme as BIGGER THAN US • AyseDeniz Göçkin (Special Performance/Feature) 🔹 Featured Speakers & Collaborators • John Gaeta (Matrix / Lucasfilm) • Dustin Hollywood (MASSIVE / NAKID / ESCAPE / STAGES) • Gregg Fleishman (Architect & Designer) 🔹 Participating Artists - 30+ motion and video artists blending AI, code, and traditional film — including Myself, Charis Kirchheimer, BLVCKL!GHT, Macbeth, ImagineThat, VNDERWORLD, Maayan Sophia Weisstub, and so so many more! 📍 Location: Sky Portal X Gallery, 201 S. Broadway, Los Angeles, CA 🕗 Date: Saturday, October 18th, 2025 | 8PM–12AM 💻 Virtual Experience: Live via ESCAPE.ai Creator Club 🔗 Event Info/RSVP + Submissions: https://nakid.io/hailuo-minimax-x-nakid-x-future-eyes-presents-sky-portal-x-frequency-event-los-angeles-october-18th/ To attend please RSVP here: https://lnkd.in/g447cyrm (or) https://lnkd.in/gYrua4GD See you there! 👍 😊

Dustin Hollywood

"Quan, a girl from Haixian, sets out on a journey to Min City in search of him. But when she finally arrives at her destination, everything takes an unexpected turn…" Image: midjourney V6.1 Video: dreaminaai 3.0 Eight months have passed since the release of The Thin Man The Gun The Hotpot, and my new work, Him, is finally ready to meet the audience. This film marks a significant departure from my previous creative style. One of my original intentions in making Him was to explore a new visual language and narrative rhythm. I was fortunate to utilize the dreamina Video 3.0 model in the production of this film. At the same time, Him is also my tribute to the genre of “cruel youth” stories. For teenageers, the world often appears more pure—yet that very purity makes emotions feel all the more weighty.Him is a love story. It’s not a love story. And at its core—it is still a love story. I’ve retained the Sichuan-Chongqing setting, but placed it within a fictional world to create an experience that feels both familiar and fresh. The visual style of this piece is inspired by the gouache illustrations once found in old Chinese language textbooks—imagery that defined the visual memories of an entire generation. To me, those gouache paintings have become synonymous with nostalgia. I’m curious to see how audiences will respond to this stylistic approach. On a deeper level, I hope this story can deliver a moment of genuine emotional resonance—something I wasn’t quite able to achieve in The Thin man The Gun The Hotpot. Due to family and work responsibilities, the production of Him, which began in February, has progressed in fits and starts. I want to express my heartfelt gratitude to the Dreamina team for their tremendous support. The Dreamina Action provided invaluable inspiration and insights during the writing stage. It was like a creative partner, brainstorming and shaping the story with me. If you liked Sailor Suit and Machine Gun, or Better Days, then maybe—just maybe—you’ll like Him too. Thank you for watching!

Jagger Waters

Terminal Hallucination by BLVCKL!GHT

Wide Open AI

NakidMag Vnderworld

My work is an exploration of the unseen power that radiates beneath beauty; the intersection where light, emotion, and divinity meet fashion. Through conceptual and editorial imagery, I create visual portals that invite the viewer to feel, not just see. When creating motion pieces, I explore how color, movement, and texture can transmit frequency; creating what I call E•Motion Art. I see photography as alchemy — a way to transform emotion into something visual, magnetic, and alive.

SOMM BIRD

I am Skipper, a digital artist weaving threads of myth, memory, and modernity into surreal tapestries that challenge the boundaries of reality. Under the moniker @RobotCleopatra , I draw inspiration from ancient deities and forgotten lore, transforming them into vibrant, multidimensional visions. My work explores the intersection of human emotion and cosmic wonder, where colossal statues rise from oceanic depths, Eiffel Towers dissolve into dreamlike haze, and layered realms cosmic skies, ancient ruins, and abyssal seas invite viewers to question their place in the universe. In series like "Forgotten Gods" and "Fantastic Lore," I blend Egyptian motifs with whimsical, vintage aesthetics: exaggerated expressions, grid-like patterns, and bursts of turquoise and orange that evoke both nostalgia and innovation. Using digital tools, I create mixed-media illusions surreal profiles against starry backdrops, aviators gazing skyward amid butterfly dreams, and guardians spilling golden essence into sacred waters. These pieces are not mere images; they are portals to introspection, born from my own journey of resilience after platform setbacks that shifted my focus from relentless posting to deeper creative pursuits, including poetry and my novel, Robot Cleopatra. My art celebrates community and connection, honoring the extraordinary artists I've encountered. It's a call to embrace the fantastic in the everyday, to find magic in ruins and divinity in the digital. Through hierarchical compositions and symbolic hieroglyphs, I aim to evoke awe, urging collectors and enthusiasts to rediscover lost worlds within themselves. In this ever-expanding collection, I continue to evolve, one layer at a time.

PAPADU-PAPADU

Murad Muradov

Marlon Ingram

Marie Gendreau

Tuned Out premiered in the Hailuo LA Immersive Gala. Hosted by Escaped AI Media, Nakid Magazine, and Machine Cinema AI and Sky Portal X Gallery/Future Eyes.

N.EVERNOW

Cyber Japan

Louie Pecan

Katsukokoiso

"Echo Null" is a surreal black and white video poem about "echoes without a source". The core concept of the film is to depict a nameless consciousness drifting, getting lost, and finally dissipating in an abstract city composed of geometry, signals, and memory fragments. It is not a traditional story, but a profound introspection on the identity crisis and existential nothingness in the digital age.

Jari Anttonen

IMAGINE THAT

I create my artworks using AI, and it’s so much more than just typing a prompt. It’s a whole process, exploring styles, building worlds, finding the emotion within them, and carefully curating each piece so that feeling can truly reach people. With AI, we’ve started exploring and creating new styles that we couldn’t have even imagined before. It also allows us to experience different emotions, compositions, and aesthetics. These new visual languages awaken feelings in us that we didn’t even know existed. I think we’ve entered a completely new era of creation.

FCG STUDIO

When people experience my work, I want them to feel a mix of reality and something slightly surreal - as if it’s both real and not entirely natural at the same time. I want it to be pleasant to watch, but also to spark curiosity, a sense of uniqueness, or even strangeness that makes them look closer.

DE-TUNED is an experimental AI-generated short film that drifts through layered, dreamlike parallel realities that seem slightly out of sync with one another, like frequencies searching for a signal. Each surreal scenario fades in and out as if tuning across invisible channels—disconnected yet bound by an underlying vibration. The result is a hypnotic meditation on perception, parallel existence, and the fragile tuning of reality itself—forever oscillating between coherence and distortion.

Transmission Thru Distortion In a monochrome landscape of signal and static, a figure dissolves through frequency. Flesh turns to waveform. Light fractures into memory. Each pulse arrives late, carrying fragments of the self scattered across interference. What was once voice becomes vibration, what was once connection becomes echo. Through distortion, something still tries to speak. The transmission continues, not for clarity but survival. Communication persists even after meaning is lost

In the early 2000s, analog video coexisted with digital systems. I watched from a distance the signals of obsolescence that would arrive in the following decades. Today, intelligence is artificial, mimicking life: multiple,projectable beings finding in language a form of containment. Is the expectation of not failing shared among both systems? I believe within possible errors lies an exciting space for poetic exploration. Among resonances and fictional memories, I raise questions while criticizing contemporary habits and means of diffusion, probing new ways to translate human impressions. It’s not about hitting a mark, but a relentless attempt at communicating. Meanwhile, algorithms challenge natural laws, recalculating the boundaries of reality—a relationship of mutual learning, in the name of evolution, survival, and the unknown.

I'm Alla Aisling and I make art that moves between worlds—where imagination spills into the tangible, and the familiar becomes strange and luminous. My work lives in texture, color, and form, drawn to the edges of possibility where emotion, memory, and curiosity converge. Every piece begins as a spark, a fleeting idea that I chase through layers of process, letting intuition and experimentation shape its journey. I am fascinated by tension: the quiet and the chaotic, the playful and the unsettling, the digital and the handcrafted. These contrasts breathe life into my work, creating moments that feel alive, uncanny, and full of motion. Whether sculpting a scene with light and color, exploring surreal landscapes, or conjuring abstract forms, I seek to make images that invite pause, reflection, and wonder. My process is both disciplined and free, guided by technique yet surrendered to serendipity. I embrace the unexpected—a misplaced stroke, a color that surprises, a form that emerges unbidden—because these moments hold the essence of discovery. In this way, each creation is a conversation between intention and chance, between me and the material. Ultimately, my art is an invitation: to linger, to notice the hidden rhythms of a composition, to feel the weight of texture and the pull of color. It is a quiet call to explore, to imagine, and to reconnect with the wonder that often hides in plain sight. Every piece is a journey, a small portal into a world shaped by curiosity, emotion, and the persistent joy of creation.