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Synthetic Realities
3six9studio
@3510n
An AI-native production studio from Drama, Greece, run by Dimitris Tsagkalidis.
Two things live here. Commercial work — brand films from 30 seconds up, with their teasers — built around a recurring cast: Rita, Nana and Bobo, Eternity. Named characters who carry across campaigns and come back in new adventures, because advertising used to be something you waited through, not something you skipped.
Directed frame by frame. Same face, same voice, every time.
- VIDEOS
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Xerjoff Alexandria II — One Spray. Another World. | Spec Commercial
3six9studio
ALEXANDRIA II — One spray. Another world.
A spec commercial for Xerjoff · 1:29
A grey, rainy morning in Turin. A woman finds a bottle of Alexandria II waiting on black linen by the window. One spray, and the mist turns into a desert wind: she is standing on a dune crest in the same silk gown, and the bottle falls into the sand. She walks into the wind as the fragrance rises around her in slow motion, until the desert ends at an ancient shore, with columns in the surf and a stone lighthouse on the headland. The sun sinks, the lantern lights, and its beam sweeps across the night. She closes her eyes and opens them back in Turin. Around the bottle on the black linen lies a scatter of golden sand.
ABOUT THE FILM
Alexandria II is my favourite fragrance, so I made the film I would want to see for it. The music came first: I composed it in Suno to match who I am and how I would feel wearing Alexandria II every day. I built the whole story on that track, beat by beat. Locations were created with Higgsfield Soul, the woman with Nano Banana 2.1, every shot was generated with Seedance 2.5 on Dreamina, and the film was cut in CapCut. Afterwards I went back to Suno and wrote a full song with lyrics for the concept. You can find it on the 3510N YouTube channel.
CREDITS
Written, directed and edited by Dimitris Tsagkalidis
Original music by 3510N
Production: 3six9studio – Synthetic Realities · Drama, Greece
Tools: Suno · Higgsfield Soul · Nano Banana 2.1 · Seedance 2.5 (Dreamina) · CapCut
https://3six9studio.com
https://instagram.com/3six9.studio
https://www.youtube.com/@3510N-NOISE
Independent spec commercial. Not sponsored by, endorsed by or affiliated with Xerjoff. Xerjoff and Alexandria II are trademarks of their respective owner.
Xerjoff Alexandria II — One Spray. Another World. | Spec Commercial
3six9studio
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Mente Fuerte x Baghdad - Corvette
3six9studio
CORVETTE — Mente Fuerte x Baghdad (Official Music Video)
CORVETTE is the official music video for Mente Fuerte x Baghdad. It was created entirely with AI by Dimitris Tsagkalidis of 3six9studio. Mente Fuerte is the first Diamond-certified artist in Greek music history. Baghdad is a Diamond and multi-platinum certified artist and producer. The two commissioned this video for the new Mente Fuerte album.
The video is fully animated in the stark graphic-novel noir style of Sin City. It uses hard high-contrast light, ink-heavy shadows and a city that feels drawn rather than filmed. Every frame was built to hit with the same weight as the track: cold, stylish and uncompromising.
CORVETTE was produced at a time when Seedance 2.0 was the only generation model available, and its output was limited to 720p. Every shot was designed and pushed within those limits. The result is an early example of a fully AI-animated music video for two of the biggest names in Greek hip-hop.
Artists: Mente Fuerte x Baghdad
Direction, AI production & animation: Dimitris Tsagkalidis — 3six9studio
Model: Seedance 2.0 (720p)
3six9studio.com
Mente Fuerte x Baghdad - Corvette
3six9studio
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ONEIROVATIS — 3510N: DREAMNAUT
3six9studio
ONEIROVATIS — 3510N: Dreamnaut
In 2222, humanity has conquered death and forgotten how to dream. One man still sleeps.
In the year 2222, death has been solved. A crystalline consciousness lattice called MNEMOSYNE records every life in thirty-minute intervals and restores anyone who dies, regrowing the body and rewriting the mind. No one sleeps anymore. No one needs to.
NOISE does. He is the first oneirovatis, a dreamwalker, in a hundred and fifty years. Every time he closes his eyes, he crosses into other versions of his own life. His existence breaks the founding law of his civilization: one person, one instance.
At eighteen, like every citizen, he enters the Ancestor Simulator. His memory is wiped, and he lives a full mortal life from the very beginning, starting on Earth in 1988. He grows up a quiet, watchful boy in northern Greece who dreams of water, a boat, and a boy with his own face. At thirty-eight, holding his newborn son, he writes the document that will end death. Two centuries later, his civilization will unearth that same document and build itself upon it.
The life and the world it created are the same moment, happening at once.
🏆 Top 25: Future Vision XPRIZE (XPRIZE × Google). Selected in the top 1% of entries worldwide.
The project began with a dream. While waiting for his son to be born, the director woke at 4 a.m. with a melody in his head. In the dream it had been playing from a radio in a gyros shop on the street where he grew up. That melody became the song “Dreamnaut,” and the song became this world.
Written, directed, scored and edited by 3510N (Dimitris Tsagkalidis) at 3six9studio, Drama, Greece. Made end to end with generative tools serving as camera, lens and crew. A feature film is in development.
ONEIROVATIS — 3510N: DREAMNAUT
3six9studio
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The Last Lament : A Song for a Dying Village
3six9studio
February 2020. In a stone house in Avgerinos, a mountain village in northern Greece, a family keeps watch all night beside their grandfather's open coffin. In the morning, three village women aged 88, 90 and 91 arrive to sing the moirologi, the ancient Greek lament for the dead. Watching from the doorway, his grandson understands that no one younger knows these songs. With these three women, a way of mourning that has lasted for centuries comes to an end. The film has no dialogue and is based on the director's own memory.
The Last Lament : A Song for a Dying Village
3six9studio
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The Powder Case
3six9studio
Set in 1985, it follows a detective investigating a series of break-ins in which nothing is stolen and the same signature is left behind each time: a jar of body cream,a hair and body mist, identified by scent rather than by evidence. By the sixth case the investigation has turned around and is pointing at him.
The film was made as a serialised advertising work for the Aura Silk range, sponsored by Christian Artesio. My interest is in whether branded film can be watched on purpose rather than skipped — whether the product can be the reason a story exists rather than an interruption inside it. Greek television did exactly this before the remote control, and generative production has made it economically possible again for a single creative director.
The Powder Case
3six9studio
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FILE No. 1 —THE POWDER CASE
3six9studio
1985. A break-in at a pink villa. Forensics dust the coffee table and
the print comes up rose pink — a full palm, laid flat, right on the lid
of a jar of body cream.
She didn't forget it. She left it. It's a signature.
The detective doesn't read the lift. He smells it.
—
Episode One of an ongoing series. Every spot is a case, every case is a
scent, and she keeps getting away.
I'm building this because of something Greek television used to do
before remote controls existed: the ad break was made of short films
with episodes, and people sat through them because they wanted to know
what happened next. The break wasn't what you escaped. It was what you
waited for. That's what 3six9studio is rebuilding — recurring
characters, running stories, advertising nobody wants to skip.
Made with Seedance 2.5. Six references, one prompt, thirty seconds.
Photography, wardrobe, blocking, lighting and score all specified in
text.
She'll be back. So will he.
FILE No. 1 —THE POWDER CASE
3six9studio